Corby & Baily

Tom Corby (born 1966) and Gavin Baily (1971) are two London based artists who work across disciplinary boundaries and use public domain data, climate models, satellite imagery and the Internet. Their recent work has focused on climate change and ecological issues and has involved collaborations with scientists.

Tom Corby is a Reader in Interdisciplinary Arts at the Centre for Research in Education, Art and Media (CREAM), at the University of Westminster. Gavin Baily is a freelance developer and software engineer.

Awards

Their work has won awards including: the jury nominated award at the 10th Japan Media Arts Festival in 2007; honorary mentions at the Prix Ars Electronica 2006 and 2000; honorary mention: "The Post-Cagian Interactive", "Art on the Net" The Machida City Museum of Arts, Tokyo and the main festival prize Cynet Art 1999. In 2000 they were nominated for the "International Media Art Award 2000", at Zentrum fur Kunst und Medientechnologie (ZKM) in Karlsruhe, Germany and were artists in residence at the ICA London 1998.

Exhibitions and festivals

Corby and Baily's work has been exhibited at the ICA in London, Victoria and Albert Museum, Madrid Art Fair Arco 2001, Intercommunication Center Tokyo (ICC) and the Metropolitan Museum of Photography, Tokyo and media art festivals including Transmediale, Onedotzero, Urban Screens and File, and the eMerge Media Space gallery at James Cook University, Australia.^[1][2]

External links

• Atmos: Weather as Media, MIC Toi Rerehiko
• Leonardo, OLATS, ART & CLIMATE CHANGE > CULTURAL AND ARTISTIC PROJECTS
• Connecting Worlds, NTT Intercommunication Centre 2006
• Art Meets Media, NTT Intercommunication Centre 2005
• Ars Electronica Honorary Mention Net Vision 2006
• Ars Electronica Honorary Mention Net Vision 2000
• 'Perimeters, Boundaries and Borders' at Folly 2006
• Trigger Game Art 2002
• Tom Corby's profile at the University of Westminster
• Corby & Baily at Rhizome
• Stephen Wilson Intersections of Art, Technology, Science & Culture

Bibliography

• M Kovskaya, “The English Lounge”, Art Review, Summer 2009.
• A Ludovico, “New Zealand Report”, Neural IT, spring, no. 32, 2009 (Italy),2009.
• M. Gibbs, “Sublime Mundanity”, Art Monthly (UK) November 2007.
• C Sadler, “Perimeters, Boundaries and Borders”, Artist’s Newsletter (UK),December 2006.
• A Ludovico, “Network Art”, Neural IT, summer, no. 23 (Italy), 2006.
• S Shun’ichi, “Cyclone.soc”, Intercommunication, no. 59, winter 07 (Japan), 2007.
• T Baumgartel, Art Meets Media, Adventures in Perception, ICC: Tokyo, (Japan), 2005.
• P Catanese, 'Where have all the video-game console artists gone?” Level Up Conference Proceedings: Utrect University, Netherlands, 2003.
• T Baumgartel, net.art 2.0, Nurnberg: Insititut fur moderne Kunst, 2002.
• S Albert, “Useless Utilities” in New Media Art: Practice and Context in the UK 1994-2004 (ed) L Kimbell Arts Council England/Cornerhouse, 2004.
• J Rosa Press, “Fire to Start”, Journal de Letras Artes e Ideias, no16 (Italy), 2002.
• M Bittanti “[Fuori gioco]. Sconfinamenti videoludici,” in Per una cultura dei videogames. Teorie e prassi del videogiocare, Milano: Unicopli, (Italy), 2002.
• S Healy, “Software triffl Kunst im 'Gameboy_ultraF_uk”, DEBUG magazine no 60 (Germany) 2002.
• T Baumgaertel “Unheil auf dem Desktop”, Telepolis, (German text), [Internet], <http://www.heise.de/tp/deutsch/inhalt/sa/7091/1.html> 2001.
• S Bury "Artists' Books: e books", Art Monthly, Nov. no. 241. 2000.
• T Baumgaertel “Experimental software”, ACOUSTIC.SPACE, no. 3, net.audio
• issue, 2000.
• Stocker G. and Schöpf C. (eds.), Next Sex: Sex in the Age of Procreative Superfluousness, Ars Electronica 2000, Vienna: Springer-Verlag, p. 408, 2000.
• B Weil "Readme.txt Browsing online art. An exploration of various directions in networked art projects" [Internet], Museo de Monterrey: http://www.museodemonterrey.org.mx/english/mediateca/tours/docs/weil/index.html> 1999.

Published writings

• 2008 “Landscapes of feeling, arenas of action: information visualisation as art practice”, Leonardo Vol. 41, No. 5, (October 2008).
• 2007: “Cyclone.soc: an Interactive Artwork Visualising Internet Newsgroup Postings as Cyclonic Weather Conditions”, Journal of Visualisation Japan, Vol. 10, No. 4, (2007) 338.
• 2005: Corby T. (ed.) Network Art Practices and Positions, London: Routledge. [Edited volume]
• 2003: Corby T. “Gameboy UltraF_uk” Novas Medias (New Medias) Symposium Proceedings 'File 2003.
• 2000: Reconnoitre”, Net Art Guide, Fraunhofer Institute: Stuttgart, 2000, pp. 214–216 (ISBN 3-8167-5590-9).
• 1997: ICA lecture “Building the Cybercity”, ICA Audio tape, London: ICA;
• 2006: “Extra-Ordinary Practices”, essay, exhibition catalogue for Extra-Ordinary Practices: A Retrospective of British Media Art, Kunsthaus Dresden, pp. 53–64 (ISBN 3981024729).
• 2006: “New+Media+Arts: Developments in Computer Based Arts” essay, pp. 167–169 exhibition catalogue for Extra-Ordinary Practices: A Retrospective of

References